My path into design wasn't linear. I studied literature at the Sorbonne, spent three years art directing for a small French fashion house, and then found myself quietly obsessed with the way a brand could make someone feel before a single word was exchanged. That tension between narrative and visual language became the thread running through everything I've made since.
In 2018 I launched Margaux Studio out of a sunlit apartment overlooking the Old Port. What started as a one-woman operation serving local florists and wedding photographers has grown into a small, intentional studio serving creatives across Europe and North America. The clients have changed. The commitment hasn't.
I believe brands should feel like places. Walking through them should feel as considered as walking into a well-designed hotel, a favorite bookshop, a perfumery that's been perfecting its craft for a century. Every detail matters, because every detail is speaking.
When I'm not at the desk you'll find me combing flea markets for vintage typography references, reading on a balcony somewhere, or driving out to a village in the Luberon with a camera and no particular plan.
